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imaginary animal - crustacean

‘Velocivenator satiei’

What if lobsters or large shrimp had evolved into fast-swimming hunters instead of creatures adapted to a life mainly on the seabed. What would they look like?

 

unusual woodcarving of a crustacean inspired by Erik Satie

 

This sculpture, made between Nov ’08 and Oct ’09, is fairly closely based on macruran decapods (creatures such as lobsters and shrimp) and their cousins the stomatopods (mantis shrimp). Only wood and tagua nut, without any dyes or stains, has been used to make it. I enjoyed revisiting my old studies in Zoology to work out how a realistic creature would look.

 

imaginary creature- a hunting crustacean

 

All the woods used were either found after they had already fallen or are recycled material that would otherwise have been thrown away or burnt. They include:
Cocobolo and Pau amarillo from the scrap pile at a West Country wood merchants,

Juniper from a hill in the Lake District,

Mahogany from the counter of an old Post Office in Bow, London. My friend Molly was born in the flat above,

Cherry from the waste pile at a guitar maker’s workshop in Devon, from Highgate Park in Birmingham and also from a garden in Warwickshire,

Purpleheart and ebony scrap given to me by a cabinetmaker in Devon,

Tagua nut, an ivory-like nut that is a renewable rainforest resource from Brazil or Ecuador,

Holly and boxwood from Devon, courtesy of a tree surgeon friend,

Rose gum offcut from a builder’s skip in New South Wales, Australia,

Beech from the foot of the Totes Gebirge (‘Dead mountains’) in the Austrian Alps,

Black poplar and walnut offcuts from a woodyard in Bristol,

Almond from near a village named San Pedro in Almeria, Spain.

 

hunting lobsters

 

I like to imagine this piece being a specimen in some strange Victorian naturalists’s study. The title means ‘Satie’s fast hunter’ in Latin. In 1913 the composer Erik Satie, who had a taste for the humorous and the surreal, wrote a piano piece about the desiccated embryo of a hunting crustacean.

carved wooden bird skull

Predator Bird’s Skull

After making a few ‘Metainsects‘, I started to think about what kind of predator would adapt or evolve to feed on such ornery little beasties. What would they look like?

 

carved wooden bird skull

 

With an anatomy-themed exhibition coming up, I started to carve a bird’s skull, but one that would eat tough, large and potentially dangerous insects. The skull is quite chunky and crested, so the bird would almost certainly be flightless but probably a good runner. It has a large braincase, so would be smart. The whole skull is about 25 centimetres (approx. 10 inches) long.

 

wooden bird skull

 

The nozzle on the beak would fire a sticky mucus that would disable the defences of the prey. This is adapted from a similar system used by a seabird called a fulmar, which shoots foul-smelling secretions at potential attackers from a similar nozzle over it’s beak. The large beak would then be able to pick apart the prey.

The skull part was carved from a single block of sycamore. The beak and nozzle are carved from a piece of English boxwood. The stand is stained oak and bamboo.

I really enjoyed carving the ‘Predator bird’s skull’. It gave a chance to revisit my studies in Zoology and the anatomy of this skull is based on those of real birds. The different bones shown ‘fused’ to form it match those in nature, albeit with some features (like the crest of bone) added or changed.

Metainsectivore

This sculpture was made in July 2013, to be exhibited in a show called ‘Inspired’ at Ashton Court in Bristol, UK. It represents a mammal that would feed on the hybrid insects depicted in the ‘Metainsecta’ series that I’ve been working on for a few years. Other sculptures on this theme are also shown in this website, including the ‘Predator Bird Skull‘, the ‘Mechanical Insects‘ and the ‘New Mechanical Insects‘.

 

metainsectivore - an imaginary mammal

 

There was a bit of pressure to make a good job of this carving, as one of my fellow exhibitors at ‘Inspired’ was the very well-known furniture designer and maker, John Makepeace. That’s his table and chair next to my piece in the exhibition.

 

Inspired exhibition at Ashton Court

 

The entire sculpture is made from found and recycled timbers. including the eyes and whiskers. I wanted it to look like a Victorian taxidermied specimen, with the same kind of dramatised pose that such exhibits had.

 

carved wooden hands

 

It appears to have been surprised in the act of going to eat the ‘metainsect’ pupa hanging from the branch.

 

Metainsect DARPA HI-MEMS

 

The design took elements from real, existing creatures and put them together to invent a new one: features of cats, quolls, tarsiers, foxes and anteaters have all been included. A lot of thought went into what this creature would look like and why: for example, the strange long, narrow muzzle allows it to pick apart prey, while keeping vulnerable parts of the face a good distance away.

 

 

Imaginary creature-speculative evolution

 

If you would like to find out more about the designing and making of ‘Metainsectivore’, there are more in-depth descriptions posted on my blog, which you can visit by clicking on these links: Designing and Making. There is a link on the blog to bring you back to this website.

scorpion fly sculpture meatinsecta speculative evolution

The ‘Metainsecta’ series

These sculptures were inspired by research into creating insect/machine hybrid creatures for military use, currently being conducted in the United States by the government-sponsored organisation known as DARPA (Defense Advanced Research Projects Agency). The project is known by the acronym ‘HI-MEMS‘ (Hybrid Insect Micro-Electro-Mechanical Systems).

 

scorpion fly and other HI-MEMS beasts

 

The aim of the HI-MEMS project is to install devices into insects during the pupal or larval stages of their development, allowing them to be used in military surveillance ( and presumably attack) operations. Although many entomologists are very sceptical about the chances of success, billions of dollars have been allocated to fund this research. All of the sculptures use design elements taken from existing insects, combined with a bit of theatre, to explore what might happen when humans interfere in this way with creatures that have existed for a lot longer than we have.

 

Wooden insect sculptures

 

Given the short lives and the amount of offspring that insects can have, I’d imagine that it would make more sense to implant tiny nano factories that could replicate themselves as well as producing the devices to be implanted, rather than the devices themselves. These would then be passed down through the generations. However, such technology would be very difficult, if not impossible, to control in the outside world. If both insects and devices evolve and change; for example, by devices moving into other creatures through the food chain, what would happen? What creatures would evolve to feed on them?

 

Metainsecta chainsaw beetle

 

osteotome beetle

 

I imagine this insect to have been developed to be attracted to and to cut up calcium-rich cement, so being used in swarms to take out bunkers and other defences. When there are no more bunkers, it would cut up bones.

Not all of the metainsects are for military purposes though. This is the record-playing ‘Gramophone weevil‘.

 

gramophone weevil