This little figure is about 3 centimetres (1 and 1/8″) tall.
The piece was carved using my Opinel lock knife in 1998, utilising wood from a fallen tree in the garden of the house in which I was living at the time.
The house was in Sparkhill, an area of Birmingham.
It is still one of my favourite carvings.
I have been carving pendants since I first began whittling and woodcarving. For many years they gave me a chance to create work that required little in the way of tools (just my Opinel knife and some sandpaper) and could utilise little fragments and splinters of wood which were easy to carry in a backpack.
These pendants were carved to represent the seasons. the plants are ones which are particularly associated with each season in Britain. From the left, primroses come out in spring, bluebells in summer, blackberries in autumn and ivy stays green all through the winter.
This piece ws carved from a fragment of holm oak collected at a youth hostel in Oieras, Portugal (where this type of wood is known as azinho). The wood had been previously charred in a fire, which darkened and hardened it. The inset stone is a piece of calcite collected in a valley named San Pedro in Almeria, Spain where I was staying at the time. It was smoothed by rubbing against an old whetstone. The beautiful desert valley has a group of hippies and travellers living in it. This carving is so-called because it was carved on the beach at San Pedro on the first day of the new millennium.
Like all of these pendants, these ones were both carved using my four-inch bladed Opinel lock knife.
This detailed small sculpture shows a dragon lying around a small hill with a castle built onto it. There are towers, steps and even a waterfall. It was carved from strongly scented Camphor Laurel wood, which was used in China to make map cases and storage for clothes as it repels moths.
In Australia, the introduced tree is now quite invasive. This piece of timber was found in a firewood pile at a youth hostel in Byron Bay, New South Wales. I was working as a woodchopper for a place to stay – perhaps my ideal job at the time!
I started carving it while in Australia and continued working on and off on the sculpture for quite a while after returning to the UK.
This knife handle was carved for a commission in 2011. The buyer gave me his own designs and I carved them onto the beechwood handle of a number 10 Opinel lock knife. The handle is 10.5 cm (41/4″) long. As this was the type of knife with which I learnt to carve, it ws very exciting for me and the whole carving was done using my own Opinel, which is also shown here.
The knife at the top is the carved commission. It’s easy to see on this image how much metal had been sharpened off the blade of my knife over the previous 21 years- both blades would have once been the same size.
The blade of the knife to be carved was extended and wrapped in thick card, to give more to hold on to when working. Work in progress can be seen below.
…and here are two images of the completed handle, finished with a very light sanding and then linseed oil…
Here’s another, which was carved for a commission a couple of months later. The knife is an oak-handled EKA. The client drew a (very good) representation of his idea for me to carve, which includes his son’s initials, the sun and the moon.
The next knife handle was carved in New South Wales, Australia way back in 1997. It was made for a very talented Spanish leatherworker named Guille. In exchange for me carving a walnut-handled knife that belonged to him, he made a pouch for my carving knife (shown below). He loved Celtic designs and so the knife has a celtic-style dog’s head on the pommel, with eyes made from inlaid reindeer antler beads.
I still have the beautiful pouch that he made for me to this day but after leaving Byron Bay I never met Guille again.
Here are two images of his knife:
If you are interested in these then you might also like a more recent commission to carve a pagan ceremonial knife handle from oak, which is discussed in a separate post.